Flemish Northern Renaissance Painter, ca.1490-1567 Related Paintings of REYMERSWALE, Marinus van :. | The Queen of Spain | View on the Catskill-Early Autumn | Triple Portrait of Richelieu | St John Altarpiece | miss haverfield, c | Related Artists:
Gerhard Munthe1849 (1929)
was a Norwegian painter and illustrator.Munthe was born in Elverum to physician Christopher Pavels Munthe (1816 C 1884) and his wife Christine Margrethe Pavels Aabel (1827 C 1887). He was a brother of historian and military officer Hartvig Andreas Munthe, writer Margrethe Munthe and military officer Carl Oscar Munthe. He was also an nephew of historian and cartographer Gerhard Munthe and an uncle of genealogist Christopher Morgenstierne Munthe, librarian Wilhelm Munthe and painter Lagertha Munthe. Through his mother he was a nephew of Andreas Leigh Aabel and Oluf Andreas Aabel, and a first cousin of Hauk Aabel. In December 1886 he married Sigrun Sandberg (1869 C 1957). Between 1886 and 1890 Bjørn Bjørnson was his stepfather-in-law. Munthe and Sandberg settled in Sandvika and later Lysaker. Also, Munthe had a studio at Ringstabekk for a short period.The couple divorced in 1919, the same year she married Fridtjof Nansen.
Leemput, Remigius vanFlemish Baroque Era Painter, 1607-1675
Casilear John WilliamAmerican Hudson River School Painter, 1811-1893
was an American landscape artist belonging to the Hudson River School. Casilear was born in New York City. His first professional training was under prominent New York engraver Peter Maverick in the 1820s, then with Asher Durand, himself an engraver at the time. Casilear and Durand became friends, and both worked as engravers in New York through the 1830s. By the middle 1830s Durand had become interested in landscape painting through his friendship with Thomas Cole. Durand, in turn, drew Casilear's attention to painting. By 1840 Casilear's interest in art was sufficiently strong to accompany Durand, John Frederick Kensett, and artist Thomas P. Rossiter on a European trip during which they sketched scenes, visited art museums, and fostered their interest in painting. Casilear gradually developed his talent in landscape art, painting in the style that was later to become known as the Hudson River School. By the middle 1850s he had entirely ceased his engraving career in favor of painting full-time. He was elected a full member of the National Academy of Design in 1851, having been an associate member since 1831
